&object0=js|800|600|80|80|0|0|100|0|10|0|0|background_style1.jpg|1|0|0|0& &autoPlayOn=0& &navobjectsVisible=1& &numberOfSlides=7& &numberOfObjects1=8& &object1_1=t|302|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|PHOTOGRAPHY– The Elements& &object1_2=t|200|100|100|100|60|53|100|1|1|left|0|5|1|0|0|22|0|0|0|1|Line Color cx26 Value Space Editing& &object1_3=js|473|643|59|59|339|40|100|0|0|1|1|elements_photo_amphi.jpg|1|0|0|0& &object1_4=js|300|200|85.6|85.6|60|246|100|0|0|1|1|night.jpg|1|0|0|0& &object1_5=js|600|301|5|5|28|59|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object1_6=js|600|301|5|5|28|108|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object1_7=js|600|301|5|5|28|159|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object1_8=js|600|301|5|5|28|208|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &numberOfObjects2=10& &object2_1=t|302|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|LINE in PHOTOGRAPHY& &object2_2=t|540|100|100|100|60|35|100|1|1|left|0|2|4|0|0|18|0|0|0|1|A mark made by a moving point. Directs the eye – horizontal, vertical, diagonal, curvy, zig-zag, etc. Can be either actual, obvious lines or the borders/edges of shapes.& &object2_3=t|567|100|100|100|60|315|100|1|1|left|1|17|4|0|0|14|0|0|1|0|Note the use of LINE in these photos. Which of the Principles of Art are affected by the line: Emphasis, Balance, Unity, Contrast, Rhythm, or Pattern? More than one? You can “exploit” LINE in your premier. IF you do so, you should be thinking about the Principle you are affecting. That will give you something to talk about in your presentation!& &object2_4=js|400|600|24|24|61|150|100|0|0|1|0|zebras_eye.jpg|1|0|0|0& &object2_5=js|650|650|22.2|22.2|162|150|100|0|0|1|0|snakes.jpg|1|0|0|0& &object2_6=js|396|488|29.5|29.5|505|150|100|0|0|1|0|wheat-field.jpg|1|0|0|0& &object2_7=js|800|600|24|24|310|150|100|0|0|1|0|red-sea.jpg|1|0|0|0& &object2_8=js|600|301|5|5|28|39|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object2_9=js|600|301|5|5|27|79|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object2_10=js|600|301|5|5|28|119|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &numberOfObjects3=17& &object3_1=t|432|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|COLOR cx26 VALUE in PHOTOGRAPHY - Page 1& &object3_2=t|257|100|100|100|60|35|100|1|1|left|0|2|4|0|0|16|0|0|0|1| HUE cx26 SATURATION You need light to see color. Made of Primary, Secondary, Intermediates. Edit color schemes to enhance appeal or make impact.& &object3_3=js|600|301|5|5|28|72|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_4=t|257|100|100|100|369|35|100|1|1|left|0|2|4|0|0|16|0|0|0|1| Black cx26 White cx26 Grays in between Light to Dark Adds drama cx26 impact Look for the “value” we can readily see in Black cx26 White when you move to color.& &object3_5=t|257|100|100|100|60|42|100|0|0|center|1|4|1|0|0|16|0|0|0|0|COLOR& &object3_6=t|256|100|100|100|370|42|100|0|0|center|1|4|1|0|0|16|0|0|0|0|VALUE& &object3_7=js|600|301|5|5|28|107|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_8=js|600|301|5|5|28|144|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_9=js|600|301|5|5|28|199|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_10=js|600|301|5|5|337|74|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_11=js|600|301|5|5|337|108|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_12=js|600|301|5|5|337|146|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_13=js|600|301|5|5|336|180|70|0|18|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object3_14=js|149|117|87.2|87.2|61|272|100|0|0|1|0|butterfly1.jpg|1|0|0|0& &object3_15=js|149|117|87.2|87.2|196|272|100|0|0|1|0|butterfly2.jpg|1|0|0|0& &object3_16=js|147|150|92.5|92.5|351|258|100|0|0|1|0|bw_guitarist1.jpg|1|0|0|0& &object3_17=js|146|150|93.2|93.2|494|258|100|0|0|1|0|bw_guitarist2.jpg|1|0|0|0& &numberOfObjects4=15& &object4_1=t|432|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|COLOR cx26 VALUE in PHOTOGRAPHY - Page 2& &object4_2=t|364|100|100|100|129|28|100|1|1|center|1|4|1|0|0|14|0|0|0|2|COLOR cx26 VALUE (more examples)& &object4_3=t|341|100|100|100|17|55|100|0|0|left|0|2|1|0|0|14|0|0|5|2|Photographic Artists can manipulate Value cx26 Color in various ways:& &object4_4=t|395|100|100|100|15|91|100|1|13|left|1|4|2|0|0|16|0|0|0|1|By carefully choosing to photograph By carefully choosing to photograph it (with extra lights, in daylight, at night, etc.) By carefully the raw image in post-production (another element we’ll discuss)& &object4_5=js|133|89|79.8|79.8|418|196|100|0|0|1|0|bw_dome.jpg|1|0|0|0& &object4_6=js|145|98|72.4|72.4|521|196|100|0|0|1|0|bw_butterfly.jpg|1|0|0|0& &object4_7=js|112|150|70.5|70.5|416|92|100|0|0|1|0|bw_portrait.jpg|1|0|0|0& &object4_8=js|86|104|100|100|494|92|100|0|0|1|0|bw_tree.jpg|1|0|0|0& &object4_9=js|147|104|106.1|106.1|172|284|100|0|0|1|0|clearing.jpg|1|0|0|0& &object4_10=js|124|95|116.9|116.9|333|284|100|0|0|1|0|redpeppers.jpg|1|0|0|0& &object4_11=js|151|111|100|100|16|284|100|0|0|1|0|sunsetpond.jpg|1|0|0|0& &object4_12=js|148|112|97.3|97.3|483|285|100|0|0|1|0|sepia_desert.jpg|1|0|0|0& &object4_13=t|69|100|100|100|199|98|100|0|0|left|1|16|1|0|0|16|0|0|1|0|WHAT& &object4_14=t|59|100|100|100|200|148|100|0|0|left|1|16|1|0|0|16|0|0|1|0|HOW& &object4_15=t|81|100|100|100|124|222|100|0|0|left|1|16|1|0|0|16|0|0|1|0|EDITING& &numberOfObjects5=14& &object5_1=t|302|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|SPACE in PHOTOGRAPHY& &object5_2=t|300|100|100|100|60|35|100|1|1|left|0|2|4|0|0|18|0|0|0|1|SPACE = the area used or unused in a composition. POSITIVE space = the area the objects/subject takes up. NEGATIVE space = the area around, under, through and between. Gives a 3-dimensional feeling. (Depth) This element also involves the Foreground (closest), Middle ground, and Background (farthest). The use of space can be open, crowded, near, far, etc.& &object5_3=t|246|100|100|100|382|41|100|1|1|center|1|17|4|0|0|14|0|0|1|0|Space is an element controlled by WHAT you photograph and HOW you photograph it – it may be more difficult to “edit in” a manipulation of space.& &object5_4=js|600|301|5|5|28|39|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_5=js|600|301|5|5|27|79|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_6=js|600|301|5|5|28|119|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_7=js|600|301|5|5|28|158|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_8=js|600|301|5|5|28|218|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_9=js|600|301|5|5|28|259|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_10=js|600|301|5|5|28|339|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object5_11=js|110|86|100|100|387|155|100|0|0|1|0|redsky.jpg|1|0|0|0& &object5_12=js|101|105|100|100|521|117|100|0|0|1|0|eye.jpg|1|0|0|0& &object5_13=js|129|90|100|100|496|241|100|0|0|1|0|mountain_landscape.jpg|1|0|0|0& &object5_14=js|124|82|91.9|91.9|380|305|100|0|0|1|0|turtles.jpg|1|0|0|0& &numberOfObjects6=8& &object6_1=t|302|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|EDITING PHOTOGRAPHS& &object6_2=t|571|100|100|100|60|29|100|1|1|left|0|2|4|0|0|16|0|0|0|1|Most photo editing software programs allow you to manipulate the basics – levels, values, hues and saturations. You should also be able to crop and resize. These can help you create Balance cx26 Unity in your work. Learn about and use “layers” in your editing program. Imagine stacks of plastic overlays on your photo, each one either transparent or opaque, some having texts, some providing a deepening or darkening of the image – a tool for editing in Emphasis, Contrast, and Movement. Editing software will also allow you to rotate images, invert the colors, etc. Be careful to work on these more creative options using only a copy of your original. In fact, one option – if you have a purpose for doing so – is to present two or more versions of your photo, using the more creative editing options to express an emotion or make a statement.& &object6_3=r|570|154|100|100|60|279|100|0|2|0|1& &object6_4=js|586|314|45.2|45.2|81|288|100|0|0|1|0|camera1.jpg|1|0|0|0& &object6_5=js|586|314|45.2|45.2|344|287|100|0|0|1|0|camera2.jpg|1|0|0|0& &object6_6=js|600|301|5|5|28|31|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object6_7=js|600|301|5|5|28|102|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &object6_8=js|600|301|5|5|28|192|70|0|0|1|2|blackbox_arrow_right.jpg|5|0|0|0& &numberOfObjects7=4& &object7_1=js|473|643|59|59|428|-38|70|0|0|1|0|elements_photo_amphi.jpg|2|0|0|0& &object7_2=r|560|389|100|100|60|29|80|0|2|0|1& &object7_3=t|302|100|100|100|60|6|100|1|1|left|1|5|1|0|0|16|0|0|0|1|PHOTOGRAPHY– The Elements& &object7_4=t|565|100|100|100|60|30|100|0|1|left|0|5|1|0|0|18|0|0|0|0|Study and research the elements of photography that have been presented here, then look for others in your own research. Decide how you can focus on the Principles by using the elements. Plan your photo shoot – schedule extra time. Develop your photograph. If you want to explore options, visit a photo store and ask questions. When you have made the art work, work on your presentation. Tell the story of your process (word process it for submission). Prepare how you will show your work. You can project it in a multimedia presentation, or mount/frame it for viewing.&